Jane Hirshfield’s Handout on Revision

In their book, The Poet's Companion, Kim Addonizio and Dorianne Laux share a worksheet Jane Hirshfield created for a Napa Valley Writers' Conference she taught. Can you imagine? Being surrounded by both the poet Jane Hirshfield and┬áhundreds of wineries? Sounds inspiring to me (and rated 90-plus by the Poetry Advocate), but I have yet to … Continue reading Jane Hirshfield’s Handout on Revision


Make It Strange

In Chapter 4 of his thought-invoking book, Why Poetry, Matthew Zapruder quotes a Russian literary scholar, essayist, novelist, and memoirist no one's heard of: Viktor Shklovsky. Viktor's eureka moment? He claimed that the language of artistic texts is no different than the language of texts used to convey information. Asterisk. Make that BIG asterisk. In … Continue reading Make It Strange

The Only Tool Needed To “Get” Poetry

I spent most of yesterday afternoon and evening sick in bed. My bedside companion was not Nurse Nightingale, but Matthew Zapruder's book, Why Poetry. Books read when your fogged brain has one lobe in Kubla Khan's rich-scented gardens are always memorable, and this one distracted me mightily despite my dizzy spells and headache. I plan … Continue reading The Only Tool Needed To “Get” Poetry

Wallace Stevens: When Weird Is Grounded in Normal

"The greatest poverty," Wallace Stevens once wrote, "is not to live in a physical world." This observation came decades before the SmartPhone, the Internet, and the iPad, meaning, if Stevens were to return today, he'd find the entire planet a "third-world nation"--impoverished, indeed! Ironically, Stevens used the physical world for fantastic leaps by using metaphor … Continue reading Wallace Stevens: When Weird Is Grounded in Normal